Critique Groups

Critique groups are integral to writing, and some would say a faction such as this gives breath and life to ones work. I know I usually begin my posts with the title in mind, and somewhere along the way go into a left turn that leads me one hundred miles in another direction. But, this time it will be deliberate. For us old timers (I mean how long we’ve been writing or trying to write), we know a few things that happen at a critique session:

  1. Bringing your work before your peers to obtain feed back on what has been produced in the past month or since you last met;
  2. Brainstorming – bouncing ideas around for those who are stuck in a plot, scene, chapter beginning, ending, etc.;
  3. Reviewing your work for grammar, structure; and
  4. Motivation – spiritual and intellectual.

I joined New Jersey Romance Writers (NJRW) and Romance Writers of America (RWA) twelve years ago, just as I moved from Rockaway, New Jersey to East Brunswick. Then, through NJRW I became hooked up with a group of women calling themselves, “The Lusty Ladies,” who I must say left an indelible work ethic on my craft as well as my heart.

Once a month the six of us would meet, right after work for me, at a members’ home where we’d begin the evening with pizza, and someone always managed to bring desert. Back then, only one of the six held bragging rights to being published.  Then, maybe a year before I moved here to Virginia (give or take), we took in another member who had stories published in True Confessions Magazine. Everyone usually read something at every meeting.  We would share stories, our written fiction works, as well as an account of our day-to-day lives since we were together last.  And, if anyone knows anything about writing, they are aware a writer’s story is their baby; they’ve sweated, cried, and agonized over its formation – so the person with whom the tale is shared becomes a confidant – almost as intimate as the doctor delivering a son or daughter, theoretically that is.

Growing up in the city, I think helps some of us develop a thick skin; some of us…maybe. I must say for the newbie out there, you have to bite the nail and dive right in, because as one of my critique buddies said, “otherwise you’re writing in a vacuum.”  Okay, so if you go in “thin-skinned,” after a few months, your hide should be toughened enough for anything.  But, you cannot trade the hours spent learning in such a setting. Along the way, I got in my head to take some courses at a school for creative writing.  After I finished the classes, I wrote a piece for one of the trade newsletters comparing that experience with the local chapter. What I said in that article still holds true today. Everything taught in those courses, I already knew. Why? Because of all the information picked up from the work shops, meetings, my special bond with my critique buddies, and those many critique sessions. I am in the process of looking for another group, I’ve had two since I’ve lived in Virginia. But, I have to say, and I must be candid here, I have this fear that I’ve been spoiled for life.  I don’t think I will ever; can ever find another party of women who can equal the professionalism and camaraderie found with “The Lusty Ladies.” Thanks guys, and I just want to say how much I miss our little meetings.

6 thoughts on “Critique Groups

  1. I have to agree with you, Veronica. I’ve had two groups, both very samll, but I’ve learned a ton from them. And yes, I bled a little (sometimes a lot) in those early days when I thought I could write, but I didn’t know the term craft. As my CPs taught me, I gave lots of thought to quitting. But I learned and am a much better writer because of those experiences. Two of those women are now pubbed and I share in their success.
    I hope yuu find a new group.

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